Just Announced: Brick Cave Media will be hosting a Zoom Panel June 30 with Sharon A Skinner and Louise Robertson: Can You Separate the Writer From the Work: With Louise Robertson & Sharon Skinner. RSVP Required, and you can RSVP and receive additional details here: https://brickcavemedia.com/event/can-you-separate-the-writer-from-the-work-with-louise-robertson-sharon-skinner/ ...
Sharon Skinner to serve as Arizona State Library Writer-in-Residence at Tempe Library, Feb.-April 2019
The Writers-in-Residence program promotes writing in communities by connecting local, professional authors to serve as Writers-in-Residence at local libraries. Writers-in-Residence spend time at the library during their residency composing new works and providing education for community members. Writers can get expert advice on writing by registering for...
My new year of writing and teaching is off to a great start. On January 6th, I signed an agreement with the Arizona State Library Association to become the 2017 Summer Writer in Residence at Scottsdale Public Library. I will be providing a series of six creative...
Plot points, crisis, and climax, oh my! I have been reading up on plotting, taking a deep dive into process and techniques, attempting to distill the information that others have provided in books like The Plot Whisperer by Martha Alderson, Plot and Structure by James Scott Bell, Building Better Plots by Robert Kernen, and The Plot Thickens by Noah Lukeman into something that I can easily absorb and make part of my ingrained writing process and inform my teaching process, as well.
This is not the first time I have delved into plot at this level. A couple of years ago, I published an essay about plot called “Plot Isn’t Just a Four-Letter Word,” You can find it on line here for free.
When writing, I start from character, not simply because I think it’s a great place to start—although, for me, it’s mostly character engagement that keeps me reading (or writing) a book or story—but more so because that’s just the way my brain works.
So, when describing the landscape/creating the setting for the book, everything I see is filtered through the eyes of my characters. This is a huge plus in developing voice and for showing the character’s emotional journey, because the world the reader sees is from the perspective of the characters living in and experiencing it.
Making emotional connections through writing is always at the top of my list of goals, whether I am writing poetry or prose.
When I tell people I am a writer, I get the usual questions and responses. “What have you published?” “Someday, I’ll write something.” “I wish I had time to write.”
For me, writing isn’t something I want to have done. It’s something I need to do, and not just “when I have the time.”
I have been writing for years, in journals, on napkins and little scraps of paper, hoping to reach out and touch someone with my words, hoping to connect, and always finding some understanding of my own feelings and emotions.
As with every new book or writing project, there are a lot of things I learned writing The Matriarch’s Devise. However, one of the key things I grew to understand on a deeper level is how much trust it takes to bring a story to life and send it out into the world. Here are five things I learned about trust while writing the sequel to The Healer’s Legacy: