My 2017 writing year has already been a whirl of fabulous writing events and appearances. [caption id="attachment_204" align="aligncenter" width="300"] Sharon Skinner Book Appearance[/caption] January was a super busy month. Lots of travel and teaching/presenting. As you know, I taught a half-day workshop at the ASU Virginia G Piper...
My new year of writing and teaching is off to a great start. On January 6th, I signed an agreement with the Arizona State Library Association to become the 2017 Summer Writer in Residence at Scottsdale Public Library. I will be providing a series of six creative...
You are a writer. You either write, or you want to write. And if you are truly serious about it, you study and hone your craft.
You go to the library and check out all the writing books. Especially the ones written for your chosen genre. You read about plot and character development. You learn about manuscript formatting and submitting to agents. You learn the difference between active and passive writing.
When writing, I start from character, not simply because I think it’s a great place to start—although, for me, it’s mostly character engagement that keeps me reading (or writing) a book or story—but more so because that’s just the way my brain works.
So, when describing the landscape/creating the setting for the book, everything I see is filtered through the eyes of my characters. This is a huge plus in developing voice and for showing the character’s emotional journey, because the world the reader sees is from the perspective of the characters living in and experiencing it.
Making emotional connections through writing is always at the top of my list of goals, whether I am writing poetry or prose.
When I tell people I am a writer, I get the usual questions and responses. “What have you published?” “Someday, I’ll write something.” “I wish I had time to write.”
For me, writing isn’t something I want to have done. It’s something I need to do, and not just “when I have the time.”
I have been writing for years, in journals, on napkins and little scraps of paper, hoping to reach out and touch someone with my words, hoping to connect, and always finding some understanding of my own feelings and emotions.
As with every new book or writing project, there are a lot of things I learned writing The Matriarch’s Devise. However, one of the key things I grew to understand on a deeper level is how much trust it takes to bring a story to life and send it out into the world. Here are five things I learned about trust while writing the sequel to The Healer’s Legacy: