Here is a question that has been niggling at me regarding the challenge of writing a solid synopsis: Why is it that an author who can craft a novel by churning out an entire 50,000 or 100,000+ words, often finds writing a solid synopsis so difficult? There...
When teaching or talking about creative writing and/or coaching fiction writers, I talk a lot about the subconscious act of writing and how the churn of thoughts and ideas takes place even when we are not sitting in front of the blank screen or fresh...
Bruce Davis and Sharon Skinner kick off their own edition of the Brick Cave Podcast with some great talk about their current project lineup, fashion of the 19th Century, COVID, the current Brick Cave Kickstarter and other rabbit holes. They also talk about the #PublishingPaidMe...
When writing, I start from character, not simply because I think it’s a great place to start—although, for me, it’s mostly character engagement that keeps me reading (or writing) a book or story—but more so because that’s just the way my brain works.
So, when describing the landscape/creating the setting for the book, everything I see is filtered through the eyes of my characters. This is a huge plus in developing voice and for showing the character’s emotional journey, because the world the reader sees is from the perspective of the characters living in and experiencing it.
As with every new book or writing project, there are a lot of things I learned writing The Matriarch’s Devise. However, one of the key things I grew to understand on a deeper level is how much trust it takes to bring a story to life and send it out into the world. Here are five things I learned about trust while writing the sequel to The Healer’s Legacy:
It may seem counterintuitive, since we work so hard at choosing just the right words when writing fiction, but one of my main goals during the editing phase is to make the words disappear on the page. I do this in such a way that the reader will forget she is reading, instead “seeing” the action in her head. While it sounds like a magic trick, it is in fact a fairly natural state for me. As a visual writer, I see the action as I write it. In fact, as I tell the people who ask me about my writing process, I often feel more like a journalist than a fiction writer, because I simply follow my characters around inside my head and write down what they do and say.
As a writer, one of the best things I can hear from a reader (aside from how much they loved the story and how much they want more) is that I made them late for work, or caused sleep deprivation because they stayed up all night finishing my book. The last thing I want to give them is the opportunity to set the book down to go do something else.